The lyrics of this nasheed are rich in imagery and evoke powerful emotions. Below is a section of the poem in its original Arabic script, followed by a literal English translation.
Unlike many battle anthems, this nasheed has a melancholic yet hopeful tone. It grieves separation but celebrates reunion with Allah. It’s often recited at remembrance gatherings ( majalis ) honoring martyrs from various contexts — from the early Islamic battles to modern conflicts.
A: No. Because it is a phonetic transliteration, you may see many variations, including "ya fawz manal shahadah ta sadiqan" or "ya fawza man al shahadah ta sadiqan". The most accurate Arabic representation is يَا فَوْزَ مَنْ نَالَ الشَّهَادَةَ صَادِقًا . ya fawza manal shahadah ta sadiqan lyrics
The second line introduces the concept of : " His sins are erased as the blood drips down. " This echoes a well-known Islamic belief rooted in the Hadith , where the Prophet Muhammad is reported to have said that a martyr ( Shahid ) is forgiven for every sin except debt upon the first drop of his blood. This assurance is meant to psychologically liberate the believer from the fear of divine punishment.
(As per common recitations):
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"Al-jannah laha thaman, wa al-thamanu al-ʿumr al-fānī" (الجنة لها ثمن والثمن العمر الفاني) The lyrics of this nasheed are rich in
– a known line in other anasheed.
| Device | Example (Transliteration) | Effect | |--------|---------------------------|--------| | | “Ya fawda, ya fawda…” | Reinforces the sense of obsession and draws the listener deeper into the emotional vortex. | | Alliteration | “Shahada ta sadiqan” – the soft “s” sound glides across the line, giving it a musical quality even before the melody. | | Metaphor | “Fawda” as a void that can be “filled” by testimony. | Turns an abstract feeling into a visual, almost tactile image. | | Contrast (Antithesis) | “Al‑la’la yajri ma yajri” (the night runs, but does not run) – juxtaposing motion and stagnation. | Highlights internal conflict: the world moves, yet the heart feels stuck. | | Enjambment | Lines spill over without punctuation, mirroring the uncontrolled flow of thoughts. | Keeps the lyrical momentum fluid, preventing a static, overly formal feel. | It grieves separation but celebrates reunion with Allah